Hollywood Without Make-Up (1963)
Overview
A collection of behind the scenes and home movies from the golden age of Hollywood.
Production Companies
Additional Info
| Budget | $0.00 |
|---|---|
| Revenue | $0.00 |
| Original Language | en |
| Popularity | 0.946 |
Directed By
Loring d'Usseau
Rudy Behlmer
TOP CAST
Ken Murray
Self - Host
Similar Movies
Our Godfather
The story of how Sicilian Mafia boss Tommaso Buscetta (1928-2000), the Godfather of Two Worlds, revealed, starting in 1984, the deepest secrets of the organization, thus helping to convict the hundreds of mafiosi who were tried in the trial held in Palermo between 1986 and 1987.
The Dance of Memory
Memory mechanisms are mysterious: we only see the stories we choose in order to construct our own reality. Every mark is a message in time, the invocation of an absence. To travel in the memory is to walk in time, zigzagging, a long road permeated by a dark, indecipherable logic… if we could choose seven moments to sum up our entire life, which ones would they be? The Dance of the Memory is a documentary-essay that guides us in that autobiographical search, where image and memory intertwine. It mixes archive material with an aesthetic and subjective tone.
Song 5
SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
My Father's Camera
Home movies and their unique place in popular culture are the subject of My Father's Camera. Director Karen Shopsowitz weaves the history of home movies together with footage shot by her father--amateur filmmaker Israel Shopsowitz. Equipped with her dad's old Super 8 camera, Karen traces the history of home movies from the 1920s through to the amateur explosion of the '30s and '40s and beyond. She interviews a lively line-up of scholars and collectors, such as early members of the Toronto Film Club, a Japanese-American archivist who sees home movies as an expression of cultural diversity and a collector who hosts popular Webcasts that highlight new acquisitions.
Time Theorem
The director Andrés Kaiser combines hundreds of amateur films and photographs from the treasure trove of images belonging to his migrant grandparents creating a cinematic firework of analogies.
Los Felices
A love letter to Mar del Plata made of images, times and a road trip. "The Happy Ones" is an experimental short documentary composed of past and present family footage. It portrays a place in the summer, the city of Mar del Plata, with a span of 20 years between past and present images (January 2000 and 2020). Despite the time that passed by, it's beaches, essence and people remain, always willing to keep dancing.
Trópico de Capricórnio
The recovery of family videos is the resumption of a path: the massification of VHS brought new levels to family recordings. With the incorporation of sound, home videos gave way to commentaries, speeches and the filtering of sounds, giving rise to a documentation of the sounds of each era. In this first-person film, Juliana Antunes revisits, reframes and recombines the discordances between norm and desire in the memories of an LGBT girl in a Brazilian suburb.
The Spider and the Fly
Few amateur films with sound were produced in the 1930s and fewer remain extant. A charming artifact that demonstrates the expressive possibilities and technical limitations of amateur talkies, "The Spider and the Fly" includes a backyard Labor Day gathering, a trip to the Riverview Amusement Park, and a homemade Halloween parade of witches and ghouls.
Aznavour by Charles
In 1948, French singer Charles Aznavour (1924-2018) receives a Paillard Bolex, his first camera. Until 1982, he will shoot hours of footage, his filmed diary. Wherever he goes, he carries his camera with him. He films his life and lives as he films: places, moments, friends, loves, misfortunes.
Will Work for Views: The Lo-Fi Life of Weird Paul
A film exploring the life of “Weird Paul.” After 30 years, 2000 videos, 800 songs, & 42 albums, he’s still not giving up on his dream.
Spring by the Sea
Alternating Philippines and Saudi Arabia as her home, the filmmaker uses personal home videos and present footage to tell the story of her family.
My Uncle's Friend
The story of a LGBTQIA+ child told through old images from VHS tapes. The videos were recorded by Vicente's father between 1987 and 1993.
Window Water Baby Moving
On a winter's day, a woman stretches near a window then sits in a bathtub of water. She's happy. Her lover is nearby; there are close ups of her face, her pregnant belly, and his hands caressing her. She gives birth: we see the crowning of the baby's head, then the birth itself; we watch a pair of hands tie off and cut the umbilical cord. With the help of the attending hands, the mother expels the placenta. The infant, a baby girl, nurses. We return from time to time to the bath scene. By the end, dad's excited; mother and daughter rest. Preserved by the Academy Film Archive in 2013.
Home Movie
Filmmaker Jan Oxenberg narrates her own home videos, commenting on how her views towards lesbianism and femininity have evolved over time.
Dust of America
A dream walk through the United States of America; a meditation on the thoughts and ideals of its inhabitants, as they are exposed in their silent but eloquent home movies.
Home Movies
In this home movie collection of gay men, memory serves as an act of hope, power, and above all, resilience.
Me voy. Me voy
December 31, 2015. The Valencian bookstore Valdeska closed its doors permanently after forty years of activity. The result of four years of monitoring and filming, these 31 minuts of run time are part of a book unread, unknown and undiscovered. "Me voy. Me voy" it's not the story of a bookstore, not the portrait of an exceptional bookseller, it's a will to attach the things in the filmed image, to make something lasting showing the moment of its disappearence.
Put the Camera on Me
Before he went on to direct "Jawbreaker" and "Sparkler," Darren Stein grew up making videos. Along with his friend Adam Shell and the other neighborhood kids, these young film makers touched on such adult subjects as jealousy, cruelty, and sexuality.
The Stars Are Beautiful
We move back and forth between scenes of a family at home and thoughts about the stars and creation. Children hold chickens while an adult clips their wings; we see a forest; a narrator talks about stars and light and eternity. A dog joins the hens and the family, while the narrator explains the heavens. We see a bee up close. The narrator suggests metaphors for heavenly bodies. Scenes fade into a black screen or dim purple; close-ups of family life may be blurry. The words about the heavens, such as "The stars are a flock of hummingbirds," contrast with images and sounds of real children.